Hello!
Microsoft has created a new program that allows you to download Mi Vida Bonita for free, and I will recieve compensation for your download. I need your help to achieve the goal of at least 300 unqiue downloads. Here is the link you will need to click in order to download my song.
http://www.myspace.com/windows?homepage=mariastaump
Please feel free to pass this link around to everyone you know.
Thanks so much for your support!
Maria Staump
After getting in contact with some publishers like Washington Street Publishing and Smoking Grapes Publishing, I have discovered that they are primarily interested in staff writers. However, because the music industry is still flipped upside down, these Publishers are not hiring new writers until things settle down. I did not hear back from any publishers outside of Nashville, and was very grateful for their responses. I also sent out music to several of our local radio station that support local music, but have not heard back from any. I have not gotten the bites I need as an artist, and so I have redirected my focus to developing myself as a composer and publisher. I have created my own publishing company; Maria Staump Publishing.
My journey to becoming published has transformed into my journey of being a publisher. My husband and I are working hard on some innovative and exciting ideas, and I will keep you all posted on our progress throughout this year of growth. Among these new developments will be a new version of our website www.staump.com, set to launch in 2010.
I will continue to release singles throughout 2009, and still plan to finish my album “Break The Box” featuring the Maria Staump Band. The release date is set for 9-9-09.
This week has been spent writing and researching publishing companies. This is a somewhat overwhelming task that tends to make you feel insignificant. It’s a bit of a catch 22. Most publishing companies will not listen to you music unless you have the right connections, however, you can not make the right connections unless you find someone in the industry who is willing to listen to your music. So far I have contacted Hunnypot, Washington Street Publishing, Sony/ATV Music Publishing, Platinum Pen Publishing, and Big Loud Shirt Industries. There were many other publishing companies like Universal Music Publishing Group who would not accept demos unless they were solicited by others in the industry like managers and attorneys. I will also be mailing out Cd’s to various publishing companies. I’ll keep you posted. Let’s see how long it takes to make the right connection.
Day 3 ASCAP Expo
Today was the final day of the expo, and once again these panels reminded me of how worth it it was to pay for, and travel to this event. The day started at 8am with a panel consisting of Roy Elkins founder and CEO of Broadjam, and Patrick Faucher CEO of Nimbit. These guys talked about how Myspace is not dead for the musician, and how every artist should guide their fans to a central website; their best website. They also mentioned numerous times that blogging is essential to gaining and maintaining a fan base. That said, please feel free to pass along any blog that I have written to a friend. =)
The second panel was astonishing in the amount of info that was crammed into a one hour period. Don Passman was the one and only speaker. He is an attorney and author of “All You Need To Know About The Music Business.” This guy had an enormous amount of information on both the industry as it was and as it is becoming now. He spoke of the drastic changes that are occurring within the music industry. He spoke of all the different types of rights and what criteria needed to be met in order to get paid for the rights in that particular category. His panel strictly discussed the legal and business end to the music industry, and I am very grateful to have listened to him speak. The entire EXPO was incredibly informative.
That was the last part of the EXPO that I attended before we checked out and headed home. Now the real work begins! Feel free to respond with a question in case I was able to learn something about the industry that I can pass on to you more specifically.
Have a good night friends!
Day Two of ASCAP Expo 2009
Today was another informative and inspiring day. I started it off with some room service; Belgian waffles and OJ. My first panel was at 9am, and this one was geared towards “Production Music” placing your music in film, TV, video games, and advertising. You NEED a publisher!
The next panel was dealing with music placement, the reality of getting your music heard. This panel consisted of reps like John Anderson CEO of Hunnypot, Gabe Mcdonough DDB Chicago, Tracy Mcknight VP Lionsgate, and Dave Stone VP Bunim-Murray Productions. They talked about how to submit your music to them, what avenues they use to find new artists, and which ones preferred independent artists.
The next panel was “The role of technology in the creative process.” The panelists consisted of Mike Elizondo who has done songs like “In Da Club” “How We Do” and “Rich Girl”, Alex Greenwald who has done songs like “California” and “Do The Panic”, Greg Kurstin who has done songs like “Again and Again” and “Wow”, Nicole Morier who has done songs like “Rock Me In” and “Heaven on Earth,” and Brian West (Nelly, Whoa, and Folklore). These panelists spoke of the benefits to having a project studio. The fact that we can all create music with less money, in a much shorter period of time, and with an awesome sound. They all used a lot of samples but were also very fluent on instruments like piano and guitar.
I was also able to attend a master class for Jeff Lynne from Electric Light Orchestra. This guy has a great sense of humor, a kind heart, and is truly chillin’. He does not know how to read an ounce of music. He wrote strictly by ear. He told us about his long successful career and what his inspirations were. You could tell that he had a passion for sound, and how to structure it to create a melody.
Next I was off to the Highlands for another intimate performance by signed and successful songwriters. I saw Dan Kimpel who hosted, Rory Feek who wrote “Cheater Cheater” and “Chain of Love”, Jesca Hoop who has a very interesting sound and wrote “Seed of Wonder” and “Intelligentactile 101″ Lenka who performed “Show” and has written “Don’t Let Me Fall” and “Trouble is a Friend” , and Jason Reeves who wrote songs like “Bubbly” and “Realize”.They each had a very unique sound, and a very pure sound. They were a pleasure to watch.
Tonight is my last night in Hollywood before I go back and start applying everything I have learned here. I can’t wait!
-Maria Staump
Day 1 ASCAP I Create Music Expo 2009:
Today was filled with inspiration, entertainment, and loads of information. I started the day with checking into the Renaissance Hollywood. From there I attended the ASCAP opening session and then had the pleasure of witnessing an outstanding line up of talented panelists. These successful panelists were Natasha Bedingfield who has written and performed songs like “Unwritten,” and “Pocket Full of Sunshine,” Sean Callery, who composes music for the TV series Bones, 24, and Medium, Wyclef Jean who wrote and performed “Hips Don’t Lie,” and “Gone Till November,” Ryan Tedder, who has written songs like “Stop and Stare,” and “Bleeding Love,” and finally Craig Wiseman, who has written songs like, “Live Like You Were Dyin’” and “A Baby Changes Everything.” All of the panelists were humble, sincere, grateful, and very willing to answer questions thoroughly.
Next I went to a second panel of composers for video games. It was very interesting to hear these composers talk about how this part of the industry is still evolving, so not everything is figured out yet. Then, I watched a master class with Billy Steinberg, who wrote songs like “Like a Virgin,” which was eventually done by Madonna. The next panel consisted of producers. Probably the most “in demand” producers currently. Antonina Armato who produces artists like Miley Cyrus for the song “Seven Things,” Dr.Luke who has produced songs like”I kissed A Girl,” performed by Katie Perry, Stargate who produced the song “Miss Independent,” and many more, “Tricky,” who produced song like “Umbrella,” and “Touch My Body, and finally “Dan Wilson” who has written and performed songs like “Closing Time.” All of them said the same things when asked “How do you get a hit?” They simply said “Write a Smash…something that is relevant.”
After that panel was finished I was really excited to watch an interview with Heart. They sang a new song, and they also sang “Crazy On You.” They were really down to earth, and of course blow your mind talented. Their number one advice was “Never forget who you are or where you come from!”
The evening ended with performances. I went to the Highlands to watch some of the panelists perform. I had the opportunity to see two people that I had not heard before, and I recommend everyone to check them out because they were amazing…”Siedah Garrett,” and “Alejandro Lerner.” They performed the songs that have become hits, but also a few that weren’t picked up, but they personally liked a lot. When that concert was finished I went up to my room, did a little live web cam performance, and now I’m getting ready to do more great things tomorrow.
To finish off, I would have to say that the main points that were repeatedly made today are:
1. There is no one way to “make it” in the industry. There are numerous ways that someone can be discovered.
2. It’s all about the song. If you write a good song someone will notice it.
3. Don’t be too judgemental or critical when you’re writing music. Just let it flow out of you.
4. Don’t give up. You never know exactly when or how you may gain the success you desire, so just go for it!
Talk to you tomorrow!
-Maria Staump
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